Samuel Coleridge-Taylor
Samuel Coleridge-Taylor (15. elokuuta 1875 – 1. syyskuuta 1912) oli englantilainen säveltäjä, jolla oli kriolaiset sukujuuret. Hän sai niin suurta suosiota aikanaan, että Coleridge-Tayloria kutsuttiin kerran ”Afrikan Mahleriksi.”[1]
Samuel Coleridge-Taylor | |
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Coleridge-Taylor vuonna 1905 |
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Henkilötiedot | |
Syntynyt | 15. elokuuta 1875 Holborn, Lontoo, Englanti, Ison-Britannian ja Irlannin yhdistynyt kuningaskunta |
Kuollut | 1. syyskuuta 1912 (37 vuotta) Croydon, Surrey, Englanti, Ison-Britannian ja Irlannin yhdistynyt kuningaskunta |
Ammatti | säveltäjä ja muusikko |
Sävellykset
- Piano Quintet in G minor, Op. 1 – 1893
- Nonet in F minor for oboe, clarinet, bassoon, horn, violin, viola, cello, contrabass and piano, Op. 2 – 1894
- Suite for Violin and Organ (or piano), Op. 3 (Suite de Piêces) – 1893
- Ballade in D minor, Op. 4 – 1895
- Five Fantasiestücke, Op. 5 – 1896
- Little Songs for Little Folks, Op. 6 – 1898
- Zara's Earrings, Op. 7 – 1895
- Symphony in A minor, Op. 8 – 1896
- Two Romantic Pieces, Op. 9 – 1896
- Quintet in F sharp minor for clarinet and strings, Op. 10 – 1895
- Southern Love Songs, Op. 12 – 1896
- String Quartet in D minor, Op. 13 – 1896
- Legend (Concertstück), Op. 14
- Land of the Sun, Op. 15 – 1897
- Three Hiawatha Sketches for violin and piano, Op. 16 – 1897
- African Romances (P. L. Dunbar) Op. 17 – 1897
- Morning and Evening Service in F, Op. 18 – 1899
- Two Moorish Tone-Pictures, Op. 19 – 1897
- Gypsy Suite, Op. 20 – 1898
- Part Songs, Op. 21 – 1898
- Four Characteristic Waltzes, Op. 22 – 1899
- Valse-Caprice, Op. 23 – 1898
- In Memoriam, three rhapsodies for low voice and piano, Op. 24 – 1898
- Dream Lovers, Operatic Romance, Op. 25 – 1898
- The Gitanos, canata-operetta, Op. 26 – 1898
- Violin Sonata in D minor, Op. 28 – ?1898 (pub. 1917)
- Three Songs, Op. 29 – 1898
- The Song of Hiawatha, Op. 30 (”Overture to The Song of Hiawatha”, 1899; ”Hiawatha's Wedding Feast”, 1898; ”The Death of Minnehaha”, 1899; ”Hiawatha's Departure”, 1900)
- Three Humoresques, Op. 31 – 1898
- Ballade in A minor, Op. 33 – 1898
- African Suite, Op. 35 – 1899
- Six Songs, Op. 37
- Three Silhouettes, Op. 38 – 1904
- Romance in G, Op. 39 – 1900
- Solemn Prelude, Op. 40 – 1899
- Scenes From An Everyday Romance, Op. 41 – 1900
- The Soul's Expression, four sonnets, Op. 42 – 1900
- The Blind Girl of Castél-Cuillé, Op. 43
- Idyll, Op. 44 – 1901
- Six American Lyrics, Op. 45 – 1903
- Concert Overture, Toussaint L'Ouverture, Op. 46 – 1901
- Hemo Dance, scherzo, Op. 47(1) – 1902
- Herod, incidental music, Op. 47(2) – 1901
- Meg Blane, Rhapsody of the Sea, Op. 48 – 1902
- Ullyses, incidental music, Op. 49 – 1902
- Three Song Poems, Op. 50 – 1904
- Four Novelletten, Op. 51(1?) – 1903
- Ethiopia Saluting the Colours, march, Op. 51(2?) – 1902
- The Atonement, sacred cantata, Op. 53 – 1903
- Five Choral Ballads, Op. 54 – 1904
- Moorish Dance, Op. 55 – 1904
- Three Cameos for Piano, Op. 56 – 1904
- Six Sorrow Songs, Op. 57 – 1904
- Four African Dances, Op. 58 – 1904
- Twenty-Four Negro Melodies, Op. 59(1) – 1905
- Romance, Op. 59(2) – 1904
- Kubla Khan, rhapsody, Op. 61 – 1905
- Nero, incidental music, Op. 62 – 1906
- Symphonic Variations on an African Air, Op. 63 – 1906
- Scenes de Ballet, Op. 64 – 1906
- Endymion's Dream, one-act opera, Op. 65 – 1910
- Forest Scenes, Op. 66 – 1907
- Part Songs, Op. 67 – 1905
- Bon-Bon Suite, Op. 68 – 1908
- Sea Drift, Op. 69 – 1908
- Faust, incidental music, Op. 70 – 1908
- Valse Suite: ”Three fours”, Op. 71 – 1909
- Thelma, opera in three acts, Op. 72 – 1907-09
- Ballade in C minor, Op. 73 – 1909
- Forest of Wild Thyme, incidental music, Op. 74 (five numbers) – 1911–25
- Rhapsodic Dance, The Bamboula, Op. 75 – 1911
- A Tale of Old Japan, Op. 76 – 1911
- Petite Suite de Concert, Op. 77 – 1911
- Three Impromptus, Op. 78 – 1911
- Othello, incidental music, Op. 79 – 1911
- Violin Concerto in G minor, Op. 80 – 1912
- Two Songs for Baritone Voice, Op. 81 – 1913
- Hiawatha Ballet in five scenes, Op. 82 – 1920
Lähteet
- Stewart, Earl; Duran, Jane: Coleridge-Taylor: Concatenationism and Essentialism in an Anglo-African Composer. American Philosophical Association, 1999. (englanniksi)
Aiheesta muualla
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