Max Klinger

Max Klinger
	; Irudi gehiago
Bizitza
Jaiotza	Leipzig, 1857ko otsailaren 18a
Herrialdea	Alemania
Bizilekua	Brusela; Berlin
Heriotza	Großjena (en) eta Naumburg (Saale), 1920ko uztailaren 5a (63 urte)
Hobiratze lekua	Großjena (en)
Familia
Bikotekidea(k)	ikusi Elsa Asenijeff (en) ;
Hezkuntza
Heziketa	Petri school Leipzig (en) ; Academy of Fine Arts, Karlsruhe (en) ; (1874ko apirila - 1875) ; Prussian Academy of Arts (en) ; (1875 - 1876)
Hezkuntza-maila	katedraduna
Hizkuntzak	alemana
Irakaslea(k)	Karl Gussow (en) ; Ludwig des Coudres (en) ; Emile Wauters
Jarduerak
Jarduerak	eskultorea, margolaria, unibertsitateko irakaslea, idazlea, grabatzailea, volunteer serving one year (en) eta exlibrist (en)
Enplegatzailea(k)	Academy of Fine Arts Leipzig (en) (1897 -
Lan nabarmenak	ikusi Paraphrase on the Finding of a Glove (en) ;
Jasotako sariak	ikusi Arteetan eta Zientziatan Merituaren Ordena ; Bavarian Maximilian Order for Science and Art (1910) ;
Kidetza	Berlin Secession (en) ; Municheko arte ederren akademia; Berlingo Arteen Akademia; Vienako Sezesioa
Mugimendua	sinbolismoa

Max Klinger (Leipzig, 1857ko otsailaren 18a - Naumburg, 1920ko uztailaren 5a) alemaniar margolari, eskultore, imprimatzaile eta grabatzailea izan zen. Sinbolismoarekin, Vienako Sezesioarekin eta Jugendstilarekin lotuta egon zen.

Iruditegia

Elsa Asenijeffen erretratua
Johannes Brahmsen monumentua
Beethoven
Ama eta semea
Jaunaren erretratua, Österreichische Galerie Belvedere, Viena
Pissing Death (1880), Museum der bildenden Künste, Leipzig
A Legation (1882), Museum der bildenden Künste, Leipzig, Germany.
The Judgment of Paris (1885-87), Österreichische Galerie Belvedere, Viena
The Blue Hour (1890), Museum der bildenden Künste, Leipzig, Germany.
Christ in Olympus (1897), Österreichische Galerie Belvedere, Vienna, Austria.
Landscape on the Unstrut (1912), Lindenau-Museum, Altenburg, Germany.
The Drama
Elsa Asenijeff, ca. 1900.
Athlete, (1901)
Beethoven (c. 1883-1902), Leipzig
Beethoven Torso (1902), brontze
Galatea (1906)
Cupid, Death, and the Beyond, from the series Intermezzi, Opus IV, no. 12 (1881), etching and aquatint, 15.7 × 40.7 cm., Philadelphia Museum of Art
Anxieties from the series Paraphrase on the Finding of a Glove Opus VI, no. 7 (1881), etching, Albertina, Viena
Abduction from the series Paraphrase on the Finding of a Glove Opus VI, no. 9 (1881), Albertina, Viena
Intermezzo, from the series A Love, Opus X, no. 6 (1887), Museum of Fine Arts, Houston
First Future, from the series Eva and the Future, Opus III, no, 2 (1879–80), Saint Louis Art Museum
Third Future, from the series Eve and the Future, Opus III, no, 6 (1880), Art Institute of Chicago
Sitting Naked Woman with Dancing Phallus (1882)
Temptation, from the series A Life, Opus VIII, no. 4 (1884), Art Institute of Chicago
Downfall, from the series A Life, Opus VIII, no. 12 (1884), Art Institute of Chicago
Back into Nothingness from the series A Life, Opus VIII, no. 15 (1884)
Kiss in the Park, from the series A Love, Opus X, no. 4 (1887)
Evocation, from the series Brahmsphantasie, Opus XII, no, 2 (1894) National Gallery of Art, Washington D. C.
Sisifus (The Faculties) (1914)

Kanpo estekak

Datuak: Q44252
Multimedia: Max Klinger / Q44252

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