رمبرانت

رمبرانت (اینگیلیسجه: Rembrandt Harmenszoon van Rijn)، (دوغوم: ۱۵ جولای ۱۶۰۶ - اولوم: ۴ اوکتوبر ۱۶۶۹) بیر هولندلی نقاش ایدی.

رمبرانت
Self-Portrait with Beret and Turned-Up Collar (1659), National Gallery of Art, Washington, D.C.
دوغوم
Rembrant Harmenszoon van Rijn

July 15, 1606[1]
Leiden, یئددی بیرلشمیش ایالت جومهوریتی (now the هولند)
اؤلومOctober 4, 1669 (aged 63)
آمستردام, Dutch Republic (now the Netherlands)
میللیتDutch
تحصیلJacob van Swanenburg, Pieter Lastman
تانینماق سببیرسام‌لیق, printmaking, drawing
آدلیم ایش
Self-portraits
The Anatomy Lesson of Dr. Nicolaes Tulp (1632)
Belshazzar's Feast (1635)
The Night Watch (1642)
Bathsheba at Her Bath (1654)
Syndics of the Drapers' Guild (1662)
The Hundred Guilder Print (etching, c. 1647–1649)
حرکتDutch Golden Age
Baroque

نقاشیلر

اوز پورتره‌لری
  • A young Rembrandt, c. 1628, when he was 22. Partly an exercise in chiaroscuro. Rijksmuseum
    A young Rembrandt, c. 1628, when he was 22. Partly an exercise in chiaroscuro. Rijksmuseum
  • Self-portrait, c. 1629; Germanisches Nationalmuseum, Nuremberg
    Self-portrait, c. 1629; Germanisches Nationalmuseum, Nuremberg
  • Self-portrait, 1630, Nationalmuseum, ایستوکهولم
    Self-portrait, 1630, Nationalmuseum, ایستوکهولم
  • Self-Portrait with Velvet Beret and Furred Mantle 1634
    Self-Portrait with Velvet Beret and Furred Mantle 1634
  • Self-portrait at the age of 34, 1640, National Gallery, London
    Self-portrait at the age of 34, 1640, National Gallery, London
  • Self-Portrait, oil on canvas, 1652. Kunsthistorisches Museum, Vienna
    Self-Portrait, oil on canvas, 1652. Kunsthistorisches Museum, Vienna
  • Self-portrait, Vienna c. 1655, oil on walnut, cut down in size. Kunsthistorisches Museum, Vienna
    Self-portrait, Vienna c. 1655, oil on walnut, cut down in size. Kunsthistorisches Museum, Vienna
  • Self-Portrait, 1660
    Self-Portrait, 1660
  • Self-Portrait with Two Circles, 1660. Kenwood House, London
    Self-Portrait with Two Circles, 1660. Kenwood House, London
  • Self-Portrait as Zeuxis, c. 1662. One of 2 painted self-portraits in which Rembrandt is turned to the left. Wallraf-Richartz Museum, Cologne
    Self-Portrait as Zeuxis, c. 1662. One of 2 painted self-portraits in which Rembrandt is turned to the left.[2] Wallraf-Richartz Museum, Cologne
  • Self-portrait, 1669.
    Self-portrait, 1669.
  • Self-portrait at the age of 63, dated 1669, the year he died. National Gallery, London
    Self-portrait at the age of 63, dated 1669, the year he died. National Gallery, London

آیری نقاشیلر
  • The Stoning of Saint Stephen, 1625, The first painting by Rembrandt, painted at the age of 19. It is currently kept in the Musée des Beaux-Arts de Lyon.
    The Stoning of Saint Stephen, 1625, The first painting by Rembrandt, painted at the age of 19.[3] It is currently kept in the Musée des Beaux-Arts de Lyon.
  • Bust of an old man with a fur hat, the artist's father, 1630
    Bust of an old man with a fur hat, the artist's father, 1630
  • Jeremiah Lamenting the Destruction of Jerusalem, c. 1630
    Jeremiah Lamenting the Destruction of Jerusalem, c. 1630
  • The Philosopher in Meditation, 1632
    The Philosopher in Meditation, 1632
  • Anatomy Lesson of Dr. Nicolaes Tulp, 1632
    Anatomy Lesson of Dr. Nicolaes Tulp, 1632
  • Sacrifice of Isaac, 1635
    Sacrifice of Isaac, 1635
  • The Blinding of Samson, 1636, which Rembrandt gave to Huyghens
    The Blinding of Samson, 1636, which Rembrandt gave to Huyghens
  • Portrait of Saskia van Uylenburgh, c. 1633–1634
    Portrait of Saskia van Uylenburgh, c. 1633–1634
  • Susanna, 1636
    Susanna, 1636
  • Belshassar's Feast, 1636-8
    Belshassar's Feast, 1636-8
  • The Archangel leaving Tobias, 1637
    The Archangel leaving Tobias, 1637
  • The Landscape with Good Samaritan, 1638, Czartoryski Museum, کراکوف
    The Landscape with Good Samaritan, 1638, Czartoryski Museum, کراکوف
  • Scholar at his Writing Table, 1641, Royal Castle, Warsaw
    Scholar at his Writing Table, 1641, Royal Castle, Warsaw
  • Joseph's dream, c. 1645
    Joseph's dream, c. 1645
  • Susanna and the Elders, 1647
    Susanna and the Elders, 1647
  • The Mill, 1648
    The Mill, 1648
  • An Old Man in Red, 1652–1654
    An Old Man in Red, 1652–1654
  • Aristotle with a Bust of Homer, 1653, Metropolitan Museum of Art in New York
    Aristotle with a Bust of Homer, 1653, Metropolitan Museum of Art in New York
  • Young Girl at the Window, 1654
    Young Girl at the Window, 1654
  • Portrait of Jan Six, a wealthy friend of Rembrandt, 1654
    Portrait of Jan Six, a wealthy friend of Rembrandt, 1654
  • Bathsheba at Her Bath, modelled by Hendrickje, 1654
    Bathsheba at Her Bath, modelled by Hendrickje, 1654
  • A Woman Bathing in a Stream, modelled by Hendrickje, 1654
    A Woman Bathing in a Stream, modelled by Hendrickje, 1654
  • Woman in a Doorway, 1657–1658
    Woman in a Doorway, 1657–1658
  • The Jewish Bride, 1658, Rijksmuseum in Amsterdam.
    The Jewish Bride, 1658, Rijksmuseum in Amsterdam.
  • Ahasuerus and Haman at the Feast of Esther, 1660
    Ahasuerus and Haman at the Feast of Esther, 1660
  • Saint Bartholomew, 1661, J. Paul Getty Museum
    Saint Bartholomew, 1661, J. Paul Getty Museum
  • The Syndics of the Drapers' Guild, 1662
    The Syndics of the Drapers' Guild, 1662
  • The Conspiracy of Claudius Civilis (cut-down), 1661–62
    The Conspiracy of Claudius Civilis (cut-down), 1661–62
  • Jacob Blessing the Sons of Joseph, 1656
    Jacob Blessing the Sons of Joseph, 1656
  • The Return of the Prodigal Son, detail, c. 1669
    The Return of the Prodigal Son, detail, c. 1669
  • Lucretia, 1666 (Minneapolis Institute of Art)
    Lucretia, 1666 (Minneapolis Institute of Art)

طراحیلر
  • Self-portrait, c. 1628–29, pen and brush and ink on paper
    Self-portrait, c. 1628–29, pen and brush and ink on paper
  • Self-portrait in a cap, with eyes wide open, 1630, etching and burin
    Self-portrait in a cap, with eyes wide open, 1630, etching and burin
  • Role-playing in Self-portrait as an oriental Potentate with a Kris, 1634, etching
    Role-playing in Self-portrait as an oriental Potentate with a Kris, 1634, etching
  • Suzannah and the Elders, 1634, drawing in Sanguine on paper, Kupferstichkabinett Berlin
    Suzannah and the Elders, 1634, drawing in Sanguine on paper, Kupferstichkabinett Berlin
  • Self-portrait with Saskia, 1636, etching, Rijksmuseum
    Self-portrait with Saskia, 1636, etching, Rijksmuseum
  • An elephant, 1637, drawing in black chalk on paper, Albertina, Austria
    An elephant, 1637, drawing in black chalk on paper, Albertina, Austria
  • Self-portrait leaning on a Sill, 1639, etching, National Gallery of Art
    Self-portrait leaning on a Sill, 1639, etching, National Gallery of Art
  • Christ and the woman taken in adultery, c. 1639-41, drawing in ink, لوور موزه‌سی
    Christ and the woman taken in adultery, c. 1639-41, drawing in ink, لوور موزه‌سی
  • Beggars I., c. 1640-42, ink on paper, Warsaw University Library
    Beggars I., c. 1640-42, ink on paper, Warsaw University Library
  • The Hundred Guilder Print, c. 1647–49, etching, drypoint and burin on japan paper, National Museum of Western Art
    The Hundred Guilder Print, c. 1647–49, etching, drypoint and burin on japan paper, National Museum of Western Art
  • The Diemerdijk at Houtewael (near Amsterdam), 1648-49, pen and brown ink, brown wash, Museum Boijmans Van Beuningen
    The Diemerdijk at Houtewael (near Amsterdam), 1648-49, pen and brown ink, brown wash, Museum Boijmans Van Beuningen
  • The Three Crosses, 1653, drypoint etching, state III of V, Museum of Fine Arts, Boston
    The Three Crosses, 1653, drypoint etching, state III of V, Museum of Fine Arts, Boston
  • Virgin and Child with a Cat, 1654, original copper etching plate above (the original copper plate, in Victoria and Albert Museum, example of the print below
    Virgin and Child with a Cat, 1654, original copper etching plate above (the original copper plate, in Victoria and Albert Museum, example of the print below
  • Christ presented to the People, drypoint etching, 1655, state I of VIII, Rijksmuseum
    Christ presented to the People, drypoint etching, 1655, state I of VIII, Rijksmuseum
  • Two Old Men in Conversation /Two Jews in Discussion, Walking, year unknown, black chalk and brown ink on paper, Teylers Museum
    Two Old Men in Conversation /Two Jews in Discussion, Walking, year unknown, black chalk and brown ink on paper, Teylers Museum

قایناقلار
  1. Or possibly 1607 as on 10 June 1634 he himself claimed to be 26 years old. See Is the Rembrandt Year being celebrated one year too soon? One year too late? and دیل کودو اعتیبارسیز دیر. J. de Jong, Rembrandts geboortejaar een jaar te vroeg gevierd for sources concerning Rembrandts birth year, especially supporting 1607. However, most sources continue to use 1606.
  2. White, 200
  3. Starcky, Emmanuel (1990). Rembrandt. Hazan. p. 45. ISBN 978-2-85025-212-9.

ائشیک باغلانتیلار
ویکی‌آمباردا Rembrandt ایله مربوط فایل وار.
ویکی‌سؤز ده Rembrandt ه مربوط اولان سؤز وار
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