ريجينالد ميلز

ريجينالد ميلز
معلومات شخصية
الميلاد	15 يوليو 1912 ; لندن
الوفاة	يوليو 1990 (77–78 سنة) ; لندن
مواطنة	المملكة المتحدة
الحياة العملية
المدرسة الأم	جامعة كامبريدج; كلية المسيح في جامعة كامبريدج ‏
المهنة	مونتير، ومخرج أفلام، ومخرج[1]
اللغات	الإنجليزية
الخدمة العسكرية
الفرع	الجيش البريطاني
المعارك والحروب	الحرب العالمية الثانية
المواقع
IMDB	صفحته على IMDB

ريجينالد «ريجي» ميلز (بالإنجليزية: Reginald Mills)‏ (15 سبتمبر 1912 - يوليو 1990)، هو خبير مونتاج أفلام إنجليزي ومخرج أفلام لمرة واحدة مع أكثر من ثلاثين فيلمًا روائيًا.[2] من بين أفلامه البارزة روميو وجولييت (فيلم 1968).

المراجع

https://www.acmi.net.au/creators/23280. {{استشهاد ويب}}: |url= بحاجة لعنوان (مساعدة) والوسيط |title= غير موجود أو فارغ (من ويكي بيانات) (مساعدة)
[http://www.imdb.com/name/nm0590160/ Reginald Mills ] في قاعدة بيانات الأفلام على الإنترنت
Bazin is quoted (and translated) in Kimmer، Leila (2009). Cross-channel Perspectives: the French Reception of British Cinema. Peter Lang. ص. 54. ISBN:978-3-03911-360-6. مؤرشف من الأصل في 2019-04-26.
Perkins، Roy؛ Stollery، Martin (2004). "Reginald Mills". British Film Editors: The Heart of the Movie. British Film Institute.
Canavese، Peter (2010). "The Red Shoes". Groucho Reviews. مؤرشف من الأصل في 2020-09-17.
روجر إيبرت gave the film four stars. See Ebert، Roger (19 نوفمبر 1971). "Peter Rabbit and the Tales of Beatrix Potter". Chicago Sun-Times. مؤرشف من الأصل في 2016-10-08. The stories are told simply and directly and with a certain almost clumsy charm. Instead of going for perfection in the dancing, the Royal Ballet dancers have gone for characterizations instead. The various animals have their quirks and eccentricities, and they are fairly authentic: The frog dances like a frog, for example, and not like Nureyev.
Miller، Henry K. (2009). "Slow bloom: Joseph Strick". Sight & Sound. British Film Institute. مؤرشف من الأصل في 2 ديسمبر 2009.
Nafus، Chale. "The Servant: Program Notes". Austin Film Society. مؤرشف من الأصل في 2016-03-04. اطلع عليه بتاريخ 2015-09-07. Reginald Mills began editing right after the first dailies. He produced a rough cut the very first day after production ended. However, acting like Hugo Barrett, he began slyly subverting the screenplay by cutting many of Pinter's repetitions of dialogue. Once said was enough for Mills, but Pinter preferred to show his characters grasping for a better way to say what they mean or to emphasize something already said. For the most part Mills prevailed, much to Pinter's dislike. After Mills gave a particularly insensitive and condescending interview about Pinter and THE SERVANT for a British magazine, Pinter wrote him a scathing letter which included the final sentence: "go and fuck yourself, a function I am certain you will discharge with the utmost professionalism." In that case Pinter found no need to repeat himself. He had said it precisely and needed no further improvement.
Norris، Margo (2004). Ulysses. Cork University Press. ص. 23. ISBN:978-1-85918-293-2. مؤرشف من الأصل في 2013-05-28. A number of highly talented people worked on the film with Joseph Strick. His editor, Reginald Mills, had edited Black Narcissus in 1947 and received an Academy Award nomination for his editing of the 1948 film, The Red Shoes. He went on to edit the 1968 Franco Zeffirelli film Romeo and Juliet.
Palmer، James؛ Riley، Michael (1993). The Films of Joseph Losey. Cambridge University Press. ISBN:978-0-521-38780-4. (Losey's) disappointment with Eva, however, was followed by the great success of the first of his three extraordinary films with Harold Pinter, The Servant, which marked a turning point in his career.
Sloman، Tony (29 يوليو 1992). "Obituary: Reginald Beck". ذي إندبندنت. مؤرشف من الأصل في 2018-06-23.
Sragow، Michael (24 فبراير 2011). "If you liked (or hated) 'Black Swan,' you'll love 'Red Shoes'". The Baltimore Sun. مؤرشف من الأصل في 2015-09-20.

روابط خارجية

"Powell & Pressburger Images – Reginald Mills". powell-pressburger.org. مؤرشف من الأصل في 2016-03-04. Two photos of Mills from the late 1940s; posted at a website devoted to Powell, Pressburger, and The Archers.

بوابة تلفاز
بوابة المملكة المتحدة
بوابة أعلام
بوابة إنجلترا
بوابة تمثيل
بوابة سينما

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[wikidata-354237f52ad44fc2d93c8201ca461b7481758b5c-1] ttps://www.acmi.net.au/creators/23280. {{استشهاد ويب}}: |url= بحاجة لعنوان (مساعدة) والوسيط |title= غير موجود أو فارغ (من ويكي بيانات) (مساعدة)

[imdb-2] [http://www.imdb.com/name/nm0590160/ Reginald Mills ] في قاعدة بيانات الأفلام على الإنترنت

[Bazin-3] Bazin is quoted (and translated) in Kimmer، Leila (2009). Cross-channel Perspectives: the French Reception of British Cinema. Peter Lang. ص. 54. ISBN:978-3-03911-360-6. مؤرشف من الأصل في 2019-04-26.

[BFI-4] Perkins، Roy؛ Stollery، Martin (2004). "Reginald Mills". British Film Editors: The Heart of the Movie. British Film Institute.

[Canavese-5] Canavese، Peter (2010). "The Red Shoes". Groucho Reviews. مؤرشف من الأصل في 2020-09-17.

[Ebert-6] روجر إيبرت gave the film four stars. See Ebert، Roger (19 نوفمبر 1971). "Peter Rabbit and the Tales of Beatrix Potter". Chicago Sun-Times. مؤرشف من الأصل في 2016-10-08. The stories are told simply and directly and with a certain almost clumsy charm. Instead of going for perfection in the dancing, the Royal Ballet dancers have gone for characterizations instead. The various animals have their quirks and eccentricities, and they are fairly authentic: The frog dances like a frog, for example, and not like Nureyev.

[Miller-7] Miller، Henry K. (2009). "Slow bloom: Joseph Strick". Sight & Sound. British Film Institute. مؤرشف من الأصل في 2 ديسمبر 2009.

[Nafus-8] Nafus، Chale. "The Servant: Program Notes". Austin Film Society. مؤرشف من الأصل في 2016-03-04. اطلع عليه بتاريخ 2015-09-07. Reginald Mills began editing right after the first dailies. He produced a rough cut the very first day after production ended. However, acting like Hugo Barrett, he began slyly subverting the screenplay by cutting many of Pinter's repetitions of dialogue. Once said was enough for Mills, but Pinter preferred to show his characters grasping for a better way to say what they mean or to emphasize something already said. For the most part Mills prevailed, much to Pinter's dislike. After Mills gave a particularly insensitive and condescending interview about Pinter and THE SERVANT for a British magazine, Pinter wrote him a scathing letter which included the final sentence: "go and fuck yourself, a function I am certain you will discharge with the utmost professionalism." In that case Pinter found no need to repeat himself. He had said it precisely and needed no further improvement.

[Norris-9] Norris، Margo (2004). Ulysses. Cork University Press. ص. 23. ISBN:978-1-85918-293-2. مؤرشف من الأصل في 2013-05-28. A number of highly talented people worked on the film with Joseph Strick. His editor, Reginald Mills, had edited Black Narcissus in 1947 and received an Academy Award nomination for his editing of the 1948 film, The Red Shoes. He went on to edit the 1968 Franco Zeffirelli film Romeo and Juliet.

[Palmer-10] Palmer، James؛ Riley، Michael (1993). The Films of Joseph Losey. Cambridge University Press. ISBN:978-0-521-38780-4. (Losey's) disappointment with Eva, however, was followed by the great success of the first of his three extraordinary films with Harold Pinter, The Servant, which marked a turning point in his career.

[Sloman-11] Sloman، Tony (29 يوليو 1992). "Obituary: Reginald Beck". ذي إندبندنت. مؤرشف من الأصل في 2018-06-23.

[Sragow-12] Sragow، Michael (24 فبراير 2011). "If you liked (or hated) 'Black Swan,' you'll love 'Red Shoes'". The Baltimore Sun. مؤرشف من الأصل في 2015-09-20.

ضبط استنادي
دولية	الاسم المعياري الدولي (ISNI) ملف الضبط الاستنادي الافتراضي الدَّولي (VIAF) مركز المكتبة الرقمية على الإنترنت (WorldCat ID)
وطنية	المكتبة الوطنية الفرنسية (BnF) المكتبة القومية الإسرائيلية (J9U) مكتبة الكونغرس (LCNAF) المَكنز الوطني للمؤلِّفين (NTA) المكتبة القومية البرتغالية (PTBNP)